![]() ![]() I can't get over how well the relationship of Mumei and Ikoma developed over the course of this movie and even the anime season before this. But that isn't all, the subtle soundtracks playing in the background of a few selected parts of the movie really gave the whole shot(s) a new feeling to them, either excitement or dread, it was executed wonderfully to further increase the mood of parts of the movie. Speaking of music in the movie's ending, it was really nicely done. The animation and art in the ending fits with the music perfectly likewise in the anime prequel. Even if I'm exaggerating a bit, I have to give them credit for how smoothly it was implemented. It was colorful, yet not to the point of making it feel fake, it was surreal to look at. The art was amazing, especially the scenery art and some of the shots in the movie. But honestly, it's pretty hard to come by new yet exciting plots these days since every story gets oversaturated by others trying to copy and paste it for a quick profit.Ĭonsidering how it came after multiple post-apocalyptic animes like AoT, it's effort to make the plot unique and still entertaining was a success for my standards, not many animes of this genre I've watched had a good mix of despair and enlightenment. where a few characters happens to be overpowered and they save everyone else from disaster. Yes, i know there will be people who will complain about how this anime's plot is similar to the whole stereotypical plot of post-apocalyptic world If you're just seeing if you should watch this, you can look at my Overall summery at the bottom.Īnd if you're looking for the manga of this, there's an adaptation but this anime is an original anime. And as my first review, i hope this will suffice you. Mastered at: Universal Recording Studios 2001.2.As one of the first anime/movies I've ever rated 9/10, i'm speechless of how i felt after watching this, it left me with this airy feeling, lightheaded but in a good way. Mastered by: Shigeki Fujino (Universal Music) Recording Coordinated by Yukio Kitagami (TOEI MUSIC PUBLISHING CO.,LTD.), Yoko Sato (TOEI MUSIC PUBLISHING CO.,LTD.), Felix Kleiman (MOSFILM), Tatiana Naumova (T Producer: Yoshi Ando (COMPANY AZA), Yuji Yasuda (COMPANY AZA) Recorded at: MOSFILM TONE STUDIO 2000.11.5-6īonus Truck recorded at: SOUND CITY 2000.8.30 Orchestra: Moscow International Symphonic OrchestraĪssisted by: Sergey Mokhov (MOSFILM TONE STUDIO), Yasuyuki Fukushima (AZABU TMP STUDIO) Scars of War - Field Battlefield, Large ScaleĮncircling of Jewels - Theme of the Go Army ~ Fueko ~ P)īattle of Shizuka Prinvince - Ryuubi's Decisionįield Battle - Field Battlefield, Medium Scale.Yukio Kitagami / 北神行雄 (TOEI MUSIC PUBLISHING CO.,LTD.), Yoko Sato / 佐藤容子 (TOEI MUSIC PUBLISHING CO.,LTD.), Felix Kleiman (MOSFILM), Tatiana Naumova (T Recording Coordinated by / Recording Coordinated by Yoshi Ando (COMPANY AZA), Yuji Yasuda / 安田裕司 (COMPANY AZA), Yasuichiro Shimbo / 真保安一郎 Sergey Mokhov (MOSFILM TONE STUDIO), Yasuyuki Fukushima / 福嶋靖之 (AZABU TMP STUDIO) Jia Peng-fang, Masatsugu Shinozaki / 篠崎正嗣 ![]()
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